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Sotheby’s to Offer One of the Finest Large-Scale Water Lilies Paintings by Claude Monet

Ever to Appear at Auction

Among the MostFamous Subjects in Art History, Le Bassin aux Nymphéas was Painted in 1917-19 at Monet’s Home in Giverny and was Conceived as Part of the Artist’s Celebrated Grandes Décorations Series.

© Sotheby's

The Monumental Canvas is Estimated in Excess of $40 Million & Will Star

in Sotheby’s IMPRESSIONIST & MODERN ART EVENING SALE

This May in New York

AUCTION 12 MAY IN NEW YORK

Photo/Text: © Sotheby's

Further Information https://www.sothebys.com/en/


Alexander Calder: Modern from the Start

Through August 07, 2021

The Museum of Modern Art

Alexander Calder. Josephine Baker (III). c. 1927. Steel wire. 39 x 22 3/8 x 9 3/4″ (99 x 56.6 x 24.5 cm). The Museum of Modern Art, New York. Gift of the artist. © 2021 Calder Foundation, New York / Artists Rights Society (ARS), New York

Alexander Calder. Sandy’s Butterfly. 1964. Painted stainless sheet steel and iron rods, 12′ 8″ x 9′ 2″ x 8′ 7″ (386 x 279 x 261 cm). The Museum of Modern Art, New York. Gift of the artist. © 2021 Calder Foundation, New York / Artists Rights Society (ARS), New York


The Museum of Modern Art announces Alexander Calder: Modern from the Start, a focused look at one of the most well-known and beloved artists of the 20th century through the lens of his relationship with MoMA. On view through August 7, 2021, Alexander Calder: Modern from the Start will include approximately 70 artworks paired with film, historical photographs, and other archival materials drawn from MoMA’s collection and augmented by key loans from the Calder Foundation, New York. The exhibition is organized by Cara Manes, Associate Curator, with Zuna Maza and Makayla Bailey, Curatorial Fellows, Department of Painting and Sculpture. More Information https://www.moma.org/

 

Copyright Text: Museum of Modern Art MoMA


Julie Mehretu

Mar 25 - Aug 8, 2021

Whitney Museum of American Art, New York

Julie Mehretu, Retopistics: A Renegade Excavation, 2001. Ink and acrylic on canvas, 101 1/2 × 208 1/2 in. (257.81 × 529.59 cm). Crystal Bridges Museum of American Art, Bentonville, AR; 2013.28. © Julie Mehretu

This mid-career survey of Julie Mehretu (b. 1970, Addis Ababa, Ethiopia) covers more than two decades of the artist’s examination of painting, history, geopolitics, and displacement. Including approximately thirty paintings and forty works on paper dating from 1996 to today, the exhibition presents the most comprehensive overview to date of Mehretu’s practice and her explorations of abstraction, architecture, landscape, scale, and, most recently, figuration. Further Information https://whitney.org/

 

Copyright Text: Whitney Museum of American Art, New York


Whitney Museum of American Art

Making Knowing: Craft in Art, 1950–2019

Until Feb 2022

 

foregrounds how visual artists have explored the materials, methods, and strategies of craft, beginning with works made after World War II when many artists embraced fiber arts and ceramics to challenge the dominance of traditional painting and sculpture. Over the next seven decades, artists have continued to explore techniques such as weaving, sewing, or pottery, and experimented with textiles, thread, clay, and beads, among other mediums. These works speak to artists’ interests in domesticity, hobbyist materials, the decorative, vernacular American traditions, “women’s work,” and feminist and queer aesthetics. By employing marginalized modes of artistic production, they challenge the power structures that determine artistic value.

Drawn primarily from the Whitney’s collection, the exhibition will encompass over eighty works by more than sixty artists, including Ruth Asawa, Eva Hesse, Mike Kelley, Liza Lou, Howardena Pindell, Robert Rauschenberg, Elaine Reichek, and Lenore Tawney, as well as featuring new acquisitions by Shan Goshorn, Kahlil Robert Irving, Simone Leigh, Jordan Nassar, and Erin Jane Nelson.

Further Information https://whitney.org/

 

 

Copyright Image: Liza Lou (b. 1969), Kitchen, 1991-96. Beads, plaster, wood, and found objects, 96 x 132 x 168 in. (243.8 x 335.3 x 426.7 cm). Whitney Museum of American Art, New York; gift of Peter Norton 2008.339a-x. Photograph by Tom Powel. © Liza Lou

Copyright Text: Whitney Museum of American Art, New York